The Leibniz Institute for Media Research | Hans Bredow Institute (HBI) examines media change and the related structural shifts in public communication.
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Prof. Dr. Matthias C. Kettemann, LL.M. (Harvard)
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The academic profile of the Leibniz Institute for Media Research | Hans-Bredow-Institut (HBI) is characterised by its research programmes.
The Institute focuses on transferring its work to various target groups and various formats in the broadest way possible.
The Leibniz Institute for Media Research | Hans-Bredow-Institut (HBI) is engaged in numerous international and national research networks in research and practice.
An overview of all research projects that are carried out during the current research year.
“Medien & Kommunikationswissenschaft“ offers a forum for the discussion of media and communication-related issues and for analyses of media development from different perspectives and for all media.
Series "Working Papers of the Hans-Bredow-Institut”
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Di. 11-19 Uhr Mi. 10-17 Uhr Do. 10-17 Uhr
Rothenbaumchaussee 36 20148 Hamburg
Olga Lévay, Cindy Hesse und Christoph Graebel Telefon: (+49 40) 45 02 17 22 Mail: bibliothek@leibniz-hbi.de
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Tiews, A. L.; Wagner, H.-U.; (2013): Mit dem „Taxi nach Leipzig“ [Taking the "Taxi nach Leipzig"]. In: "NDR Geschichte(n) (online).
2013
Can Media help to integrate migrants? Historically, Germany has seen many periods of emigration and immigration. 12 million Germans who moved to a territorially reduced post-war Germany as a consequence of World War II had a particular huge impact. Radio broadcasting played a central role in the int...
Does television influence how historical events are remembered? In her PhD-project, Juliane Finger has developed an approach to conceive long-term media effects using the example of the Holocaust presented on German TV.
The increasing digitalisation of media environments enables viewers to access audio-visual content anywhere at any time. Uwe Hasebrink investigated why viewers switch from linear to non-linear forms of TV services.
The project concerns the literary programme offerings of the Reichssender [Reich Broadcasting] Hamburg between 1933 and 1939/40 with the aim of comprehensively analysing these in the context of the literary field of Hamburg or respectively the northern German broadcasting area.
Most people do not learn about political events directly but have them communicated by the information formats of television. In this process, an image of politics arises which is shaped by this medium’s specific strategies for staging it.
Dr Hans-Ulrich Wagner writes about radio personalities and their careers in his contribution to the anthology "100 Years of Radio in Germany", which has been published by the Federal Agency for Civic Education (bpb). The book is available in the online shop of the bpb. About the Boo...
On BBC History, Dr. Hans-Ulrich Wagner describes in a blog article the genesis of the orchestra that is now known as the NDR Elbphilharmonie Orchestra. Founded 75 years ago amidst the ruins of post-war Hamburg, it is an inspiring symbol of close cooperation and joint development with the British occ...
In the brochure on the 75th anniversary of the NDR Elbphilhamonie Orchestra, media historian Dr. Hans-Ulrich Wagner wrote a guest contribution on the foundation of this "German-British dream orchestra." You can download the brochure (in German) here Abstract (in German) Von einem...
In his article in the Journal for Media History, Hans-Ulrich Wagner writes about the interaction between literary authors and the medium radio. Literary authors have made use of the radio as a political, technological, cultural, and social medium from its infancy. A wide range of complex rela...
Hans-Ulrich Wagner writes in the media journal of the Evangelischer Pressedienst epd medien about the new service of the Südwestrundfunk (SWR) - SWR Retro. SWR is the first public broadcaster to make historical archive material available to the public in the ARD Mediathek [ARD media library]. &...
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